ALUMNUS DER UDK BERLIN
WHAT WAS AT THE BEGINNING, THE EGG, THE HEN, MONEY OR NATURE?
ABOUT DREAM, HYPERSPACE, SPIRITUAL, PATAPHYSICAL, VANISHED, DECOMPOSED, DECOLAGED, LATENT, INSPIRING, IMAGINIRTS, AVERBAL PICTURE-COMPOSITIONS
INNER PICTURE * / INNER LANDSCAPE
Desert landscape (Inner-picture, created before a stay in the Moroccan Sahara. Format as art-print: about 210 x 160 cm, technique: digital print of an original watercolor-miniature template. Original is private property of the artist. The artwork can be purchased.
* "The only true source of art is our heart, the language of a pure childlike mind." Every true artwork is conceived in a sacred hapiely hour, often unconsciously out of the heart's inner urge. "Close your bodily eye. Now see with the mind's eye and hold your imaginary image. Then record, draw what you have seen in the "dark", for presenting it others." Caspar David Friedrich (1774-1840) Painter, Graphic artist (Germany)
"The painter should not only paint what he sees in front of him, but also what he sees in himself. But if he sees nothing in himself, he should not paint." C. D. Friedrich
ENCOUNTER OF TWO STARS" FROM THE SERIES PRINT-CARRIER WARHOL
"Encounter of two stars" or celestial symbols. Early Frottage by Millepiccoliventi inspired by Max Ernst on Warhol's Sunset screenprint / Serigraphy. (warhol image as print carrier) Technique: Signed digital-artprint on canvas.
MAX ERNST'S DOOR IN INTERACTION WITH MILLEPICCOLIVENTI'S DOOR
On the left side in the picture the painted door (Sprengel museum Hannover / Collection Sprengel) from the house of the friend poet Paul Eluard, who lived there in the years 1923/24 when Ernst spent several months there with Eluard and his wife Gala in Eaubonne near Paris. On the right of the image is the door painted by Joy Milllepiccoliventi, a garbage box-door of an art and dog friend. Millepiccoliventi is with other works presentet in the Collection Sprengel.
LOST OR VANISH PICTURE
THE INCREDIBLE MULTIPLICATION OF THE DISAPPEARED PAINTING AMERICAN DREAM
Who have acquired an offset robbery copy of the painting can receive an original signature of me as creator of the painting on the art-multiple print. Millepiccoliventi "thanks" the unknown publisher and the skilled workers for the successful offset multiple, which was created after an "inner" landscape image made by him in Berlin in 1980-82. One happily owner of this art-multiple I met, I have the excelenten offset-print of the landscape image, which carries the second title "Australia", provided with title and signature.
Figure: fantasy landscape "Australia" or "American Dream or Australia"
OSTFRIESLAND ABSTRACT LANDSCAPE
Landscape after a sketch, created during a stay in Nesmeersiel / Northsee. Format: Circa 210 x 160 cm, Technique: Digitalprint. Private property, the work can be purchased.
Poppy field under olive trees.Size: about 210 x 160 cm, technique: oil paint on canvas. Private property, against a reasonable bid, the owner is ready to sell the painting.
BLUE PAINTINGS IN THE EXHIBITION BLUE YOUR IMAGINATION (GIVE YOUR IMAGINATION WINGS)
Oh, only blue pictures. Every painting in the exhibition was different blue pigmented and stand in context with an other frame-colour, but all the blue's were realized in the eye of the viewer as "only blue". Most of the visitors of exhibition where not able to employ with the deep and different blue paintings. Could not deal with it, because the banality of everyday life flood of images has dulled the senses. They also where not able to interact with the other messages of the exhibition. Conclusion: Art needs a special perceptioners. Technique: Pigment glue on canvas; Format: About 109 x 80 cm. The art-community and other visitors not heed also the concept that could make the production of electricity for the electrified railway considerably more economical. (Economic thinking is not required, either way we are paid sufficient). Conclusion: No response at all levels. Zero interest for innovations for the technical progress of yesterday that slaves us.
TWO TRANSDIMENSIONAL MESSAGES IN BLUE
Two more digital prints from the exhibition "Blue Your Imagination". All possible, vibrating, dynamic, (physical) interactions of forces and energies of a six-dimensinal space in / as a two-dimensional (quantum) image. Technique: Digital printing on acid-proof handmade paper, format: Circa 125 x 100 cm
TWO MOTIVES FROM THE TRIBUTE TO HUBBLE - PAINTED SPACE FANTASIES SERIES
From the exhibition Phenomenal Universe, digital prints after original paintings, technique: digital prints on acid-proof handmade paper, size: about 70 x 54 cm
The sunflower picture of the german painter Emil Nolde are currently being discussed again, albeit more because of Nolde's membership in the NSDAP and the fact that our Chancellor had removed a work of art by Nolde because of his National Socialist past from the Chancellery. Also again and again on everyone's lips, the sunflowers by van Gogh. But his sunflower-painting is not in discussion as genuide artwork but rather as a million-dollar (24.75 million) deal. Nevertheless, many art lovers agree that there are more interesting and aesthetic paintings depicting sunflowers.
On left a painting tripticon with sunflower field of Millepiccoliventi.
VENICE DIGITALPRINT ON ACID-RESISTANT BUNDLE PAPER
After an early sketch on a colored collage for historical views of the lagoon city. PC edited artwork. A other print on demand project.
DECOLLAGEN OF WORKS OF THE POPART ARTIST ROY LICHTENSTEIN
Lichtenstein's controversially discussed Picasso interpretation shown on the left, decolagated by Millepiccoliventi on the right in the illustration. The Decolage was elevated to the design principle by the artist Wolf Vostell. Decolage composes by dismantled or destroyed by blurring and other forms, such as wiping, discoloring, doubling, blurring, printing on top of each other, etc. However, this is not just about destroying, but about making hidden content visible. The decolage is focusing at one consciousness-critical analyse of absurd environmental and social conditions that harass, afflict humans.
ROY LICHTENSTEIN'S KISS, DECOLLAGED BY JOY MILLEPICCOLIVENTI
Myths claim valid to be a truth parameter. They claim Roy Lichtenstein's art claims to be great art. This myth can be confirmed probably only about the enormous sums of money with the Lichtenstein paintings were trade. This lone single, single truth, on which the size of Lichtenstein's art based, explains nothing about the real greatness or as if there is a realy greatness is in his art. Millepiccoliventies "kiss" is a realy true decolage-composition of the Lichtenstein original.
ARTWORK FROM THE UNIVERSE OF NATURE STUFF OR NATURE WASTE SERIES
Title: Untitled, Format: About 210 x 160 cm, other formats are possible, Technique: Digital print on canvas
Painting from a cycle of horse sport motifs that were created at the racecourse in Berlin Mariendorf.
POSTEXPRESSIONISTIC (RIVER) LANDSCAPE FROM THE SERIES RIVERSIDE
Size: Approx. 210 x 160 cm, mixed media oil, lacquer and acrylic colors on polyester fabric. Also available as a limited digital print after the original painting. Private property, the original artwork can be purchased also.
A WORK FROM THE WORK-GROUP THE UNDEFINABLE IN ART
With the pictures from the cycle "The indefinable in the art" we can speak without doubt of real and real works. The works have real effects, but they elude the realm of precise linguistic experience. However, this phenomenon makes them interesting. For what else is left to us in a world in which everything seems to be regulated to the "best"? The picture can be explained, as well as all other images of the series only by the color measurement so that they are numerically to capture. But the images content elude assignments of other species and also remain largely undefinable by language. With the pictures of this series is connected to the abstract, concrete painting. Pictures are again puzzles, it's not all clear in the world in which we live. The representations of the "incomprehensible" give the mind a space outside the reality surrounding us daily. A space of an indefinite reality: Fig .: Motif from the cycle "The indefinable in art".
THREE PATA-PHYSICAL * COMPOSITIONS
The three pictures are composed of the means color, time, movement and coincidence *. But our logic and our minds quickly lead us to identify the motifs as earthly landscapes, even if they are compositions that have emerged in a pataphysical, imaginary dimension. They are not images of the outer real but correspond to the (in) possible realities of their compositional components. * Pataphysics is the science of imaginary solutions. Alfred Jarry (Ernst P. Fischer "Einstein meets Picasso")
* Whenever chance occurs in the scientific explanatory model, one can assume that at this point a direct interaction between the material space-time and the mental dimensions takes place through mediation spaces (hyperspace discussions). Three pataphysical compositions from the cycle "..... and I love .."
with two collages (motifs in the right in the image) from the collection of the Sprengel museum Hannover.
PORTRAIT, EINSTEINS HALF-BROTHER
Discoveries and / or deep insights in the arts usually take place during observations during the production process, which takes a much longer period of time compared to photography. Rarely, but possible that the artist discovers striking similarities to well-known personalities in the intensive engagement with a person to be portrayed. In the making of this portrait the artist, because he "incidentally" dealt with Einstein incidentally, recognized the strong similarity with the artist. Since there were a few other overlaps with Einstein's biographical data, we suspect that the portait is a blood-related (half-brother?) by Albert Einstein. However, no DNA analysis has been done so far. Portrait "Einstein's half-brother" Technique: Digigitalprint on canvas, size A 0
Further discoveries which must interrest the sensation press and career reporter could interest reporters is a probable descendant of Mozart who was also discovered in portrait session. (Contact us).
EXHIBITION POST-CUBISM PORTRAITS
A Cubist-style portrait of Salvatore Dali by Joy Millepiccoliventi from the series Digital Artworks, Cubism Mosaic Portraits.
Technique: Digital prints on acid-resistant handmade paper. Format: About 118 x 91 cm
HEADHUNTER AUS DER SERIE PRINT-CARRIER WARHOL
A print medium or substrate is the material (mostly paper) that can be printed in different printing processes. In the case of "headhunters", the print carrier is a Warhol motif. It seems a veritable bombardment on the pop art idol of modernity of yesteryear. Anyone who has studied the liberal arts will not affect that, but say that was long overdue. The sketch Headhunter was created while listening to the Herbie Hancock album "Headhunters". Warhol's serigraph (screen print) with skull motif served as a colored background for the headhunter sketch edited on the PC. The sketch comes from the coming estate of Millepiccoliventi. The estate collection of sketches and drawings and paintings is up now for sale.
Technique: Colored digital print on acid-resistant handmade paper.
....... IN THE AIR
FROM WALL PAINTING ZYCLUS - IN THE SKY NO 3
Reverberation of realized encounter with fugitive colorfull fog shadow. Face to face, this fog leaving, this diffuse wallimage and left behind diffuse moods and impressions at processing. A fog, a inner cloud impression for contemplation and meditation. In cold air, the warm breath became visible interim. The breath / the life / the soul.
FROM THE (AIRPLAIN) BIRD'S PERSPECTIVE
Free painted composition - Imaginary picture - triggered associations of ideas to the motif *: Madera, hotel complex or settlement from a bird's-eye view; seen from the plane. As an association in psychology, psychoanalysis and psychology of learning the assumption is that under certain conditions ideas in the form of simple, irreducible cognitive elements, of emotions or of modifications of simple sensory impressions are linked together (learned). Thought processes, for example, are a consequence of these links. (From Wikipedia)
Painting: mixed technique on polyester fabric, size, about 120 x 90 cm
GREEN HEART QUEEN
"Good omen in all areas of life, especially for love." Comforter * in disagreement between humanity and fate. * Calypso Protector and over seven years "Heart Lady" of the shipwrecked Ulysses. Painting, mixed media on canvas, format, circa 110 x 80 cm
FLUSSUFER AT NIGHT IN FULL MOON LIGHT / FROM THE SERIES HAMBURG RIVERSIDE
Abstract landscape. Poetic description of the painting by Severin Wagner "Poetry of space, nature read, interpreted, transformed into abstract forms and signs, mutating to and transformed in formulas, light and sound frequencies guiding the brushing hand, forming signs, that dissolving and for transforming again." Painting, mixed media on canvas Circa 70x100.
ART COLLECTION OF AN ACADEMIC EDUCATED ARTIST / INSURANCE VALUE OVER ONE MILLION EUROS
COMPLETE ESTATE OF ARTWORKS FOR HIGHEST BID / ON REQUEST WITH EXPERTISE OF A GALLERY / IDEAL FOR PRIVATE COLLECTORS, ADVERTISING AGENCIES, HOTELS, PUPS FOR EXPLOITATION AS SPECIAL, DECORATION OR EXTRAORDINARY CREATIV MATERIAL
THE PURCHASE CAN BE PAYED AS A DONATION TO FOUNDATION ART DESIGN & TECHNOLOGY
FROM PRIVATE COLLECTIONS, WE MEDIATE ARTWORKS BY
K.H. Troekes, 1965-78 Professor at the Academy of Fine Arts in Berlin, classic of post-war modernism, 1913-1997
FURTHER WE MEDIATE, E. SCHUMACHER, J. BEUYS, GERD LANGE, K. HAEBE, M. LEMKE, V. VASARELY AND OTHERS
After completing a training in color lithograph Joy Millepiccolivent studied liberal arts at the Academy of Fine Arts - UDK Berlin - and at the HbK Braunschweig. He is an alumnus of the UdK Berlin, ( Departments art sciences, design, architecture, painting) Until early 2016 he worked as a project developer under the name Artplan7000. Further, he was active as an honorary board in the Council of Federal Artists. Today he is a private lecturer (Free International University) and volunteer as a consultant to culture, industry, trade and politics active.
OPEN PROJECTS IN PERFORMANCE ART
- PICTURES COMPOSE MUSIC -
Those interested who have the time and desire to realize the project with, sign up Millepiccoliventi. Concept and material will provided by Millepiccoliventi. I'm looking for programmers composers and musicians.
- EGGS THIEVES BECOME FEATHERED -
For the realization of a performance that deals with the relationships between humans, animals and nature, I search partners from the field of drama, theater, art or normal characters. Working title: Egg thieves become feathered or Tree of Knowledge, Adam and Eve in Gockel Paradise.
-BREAD AND GAMES-
A performance that revolves around the issues of waste, refugees, politics. As a special show act, artists will be celebrate insult the audience in the manner of R.W. Fassbinder and Fluxushappenings. For this we are looking for a courageous museum manager and many volunteers, citizens and refugees.
FURTHERMORE / ALSO THERE ARE CONCEPTS FOR ARTWORKS THAT WILL TEACH, CRITICAL ENVIRONMENTAL-CONCICIOUS, WHICH CAN REALIZED AS ARTWORK ON OR AT BUILDINGS OR IN PUBLIC SPACE.
AND FOR TECHNOLOGY THEMES LIKE EXAUST-GAS-REDUCING MILLEPICCOLIVENTI HAS (ARTWORKS) DEVICES THAT WILL DO THIS REALY.
IN THIS SENSE: BUY ART AND YOU REMAIN HEALTHY.
CD CATALOG, - H. VOELZ ART 1974-2008 - or - IT WAS NOT A BEAUTIFUL TIME - The CD catalog contains text material and numerous illustrations on the art of Joy Millepiccoliventi aka H. Voelz. (Out of print)
Oh, what good is it if you can prove it. Why, I see clearly that it is so, and need no evidence to make it more plausible. "Exclamation of the visionary (Wiliam Blake)
In Indian, the wise seers (Rishis) (Maharishi = Mächtger Seher) in deep meditation became reveals insights from pictures and dream pictures (insights), ie from inner as well as outer pictures. This knowledge are received in profound absorption and these secret doctrines are passed on to chosen .
An image is not just a picture but it transports experiences, memories and insights that can be retrieved via the sighting. Ideas Sketches, drawings, or otherwise made images are helpfull vehicles for thinking and memorizationof Information. Thus information can be recalled or used in by initiates or scholars.
And now they are trying to describe a picture or drawing (sketch) that has been made, because the language was no longer sufficient to describe the thing, or try describing a recording, an image or a drawing (sketch) that for some reason in a special way (encrypted) when you have no key for decrypting the document.